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Part One

by Benedict Trenches

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1.
Blank Slate 05:12
I am not a Blank Slate Yeah I've been here before I know how you resonate Your vibrations I adore I am not a Blank Slate But this is new I'll sing something adequate To detail that truth I am not a blank yeah I've been here once before Not at all by accident I've slept on this floor Time moves in phases, yeah man I saw the waves But I still recognise that face 'Cause you can wear my shoes then go walking I'm sure it's for the best Fulfill the urge how-ever fleeting Unsure of your love interest Hide the news you grin and bare it all, and it's the best Sight I know, wood for the fire spent, her fingers grip Deny the truth you spin and turn your tail, and it's the worst Sight I know, we just got started. 'Cause you can wear my shoes, then go walking I'm sure it's for the best Fulfill the urge however fleeting Unsure of your love interest 'Cause I'm the blue you, chose to dive in Unsure of the depth Resigned to an early morning I left I am not a Blank Slate This is objective fate Develop mental states Between them I'll navigate So I'm back to you Choosing to induce those blues Lying in my bed Toss and turn It seems I'll never learn To forget
2.
(She) Take some time, you'll never know I'm gone. Spoke to them all, I tried to stop the flow of talk. Your life's lot, to be ignored, you never know, we needed. Time. To. Call them in, collect the funds, we'll need it all, we'll need it all. See through your sockets, with a screw. Talk has stopped, can't wait to walk, we used it all, we used it all. My dear, that bag was full. So take some time, you'll never know I'm gone. Spoke to them all, I tried to stop the flow of talk. Your life's lot, to be ignored, you never know, we needed. Time. To. Stop the war, the battle's done it can't be won, it can't be won. My dear, your nose is hungry too. Obsessed, and over dress, I've gotta stare, I've gotta stare. You're losing, what made you, you. (Benedict) Losing what made me, me. You said I'm, losing what made me, me. You said I'm, losing what made me, me. Losing what made me, me. You said I'm, losing what made me, me. Losing what made me.. Me.
3.
Fire 03:52
I want to breathe, fire. This dive is re-, tired. Let's get, high. The devil is, dying. Patrol the, outside. Let's get, high. __________________________ The burning, is coming. Let's get, running. The burning is coming. Let's get, running. The burning, is coming. The drip it's, stunning. My gun is, loaded. Shoot my, bullet.
4.
Easy. Baby. Take it. Slow. Don't de-. Mean this. Let it. Grow. 'Cause I, know. She is not the she, she said she would be. Tonight I'm gonna see, tonight I'm gonna see. She is not the she, she said she would be. Tonight I'm gonna see, tonight I'm gonna see. Easy. Baby. Take it. Slow. Don't de-. Mean this. Let it. Grow. 'Cause I, know. He is not the he, he said he would be. Tonight I'm gonna see, tonight I'm gonna see. He is not the he, he said he would be. Tonight I'm gonna see, tonight I'm gonna see. ______________________________________ She is not the she, (he is not the he) She is not the she, (he is not the he) Struggling to see, through the rising steam. Because tonight I'm gonna see, how my mind can bleed.

about

The E.P is the first of a two part album detailing Benedict's experiences and perception of the world.

credits

released March 18, 2016

Created by Benedict Trenches

Vocals
- Benedict Trenches (All Songs)
- Robbert Van Dongen (Blank Slate, Fire and Eighty Five)
- Bethany Lindemann (Take Some Time)
- Rosie Abbott (Eighty Five)

Guitar
- Benedict Trenches (All Songs)

Drums
- Cal Hulme (All Songs)

Violin and Viola
- Rachael Whawell (All Songs)

Recorded, produced, mixed and mastered by Harry Cooper.

Drums recorded and engineered by Paul Marriot at Penguin Studios.

Artwork by Jake Stoker.

With special thanks to Adam Volz (for making everything 10% better), Jake Stoker (for working all the time for no money, ever), Tom Mead (for being a rambunctious sex demon), Sam Metz (for her performance and choreography in the Take Some Time video and continued support of the band), Matt Wattford (for his unfaltering excitement for all things Trenches and total support), Patricia Cooper-Orpe (for her Nana-infused ways of supporting the band), Ken Orpe (for always being on the lookout for opportunities), Richard Goddard (for his feedback, influence on the music, and patient explanation of music theory), Jessica Cooper (for being the inspiration to make a living from what you love), Michele Cooper (for being a lovely mother and marketing guru), the Wobat and the Grand Mikey (for the artistic inheritance, Jazz exposure, and glorious conversations on the construction of the Universe), Wayne Cooper (for being a brilliant Dad), Dan Rea (for letting us practice at his house and make an awful racket), Sophie Sparham (for her support of both Dusklight and Benedict Trenches in the Derby Telegraph), Joe Loverock (for being our biggest fan and a wonderful friend), Greg Hulme, Adam Batel, Joel Murphie, James Storer, Steph Sanders, Andrew Thornton, Alessandra Doogan, (for supporting the band with attendance), Chat and Spin Radio for their multiple interviews, and everyone else who we may have missed for their help and support in this venture. Without all of them this would not have happened.

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Benedict Trenches Nottingham, UK

The songs the Benedict Trenches band perform are written as if from the characters perspective. The characters referenced in the lyrics (the Devil, She, etc.) are characters in the Trenches world who are depicted by the artwork (by Jake Stoker) and are given more depth an upcoming novella (by Tom Mead). The music reflects his character, beautiful and distorted in equal measure. ... more

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